Sir Edward Fox is foxy! During his cinematic heyday, the English actor could impress critics and arouse fans. Heaven knows he piqued Mr. Man’s interest (as well as another part of the anatomy) whenever he doffed his duds on screen. Hailing from an esteemed and well connected family, the strapping chap completed his National Service in the Loyals before entering the entertainment industry. After popping up briefly in the Kitchen Sink dramas The Loneliness of the Long Distance Runner (1962) and...
Sir Edward Fox is foxy! During his cinematic heyday, the English actor could impress critics and arouse fans. Heaven knows he piqued Mr. Man’s interest (as well as another part of the anatomy) whenever he doffed his duds on screen. Hailing from an esteemed and well connected family, the strapping chap completed his National Service in the Loyals before entering the entertainment industry. After popping up briefly in the Kitchen Sink dramas The Loneliness of the Long Distance Runner (1962) and This Sporting Life (1963), Fox played the title character in Hamlet on stage. But he returned to film with supporting parts in Richard Attenborough’s war comedy Oh! What a Lovely War (1969) and Joseph Losey’s period piece The Go-Between (1971) for which he scored a BAFTA Award! Edward’s career (and clothes) really started to take off when Fred Zinnemann cast him as the lead killer in The Day of the Jackal (1973). As he struts his stuff in the buff, Fox provides the thrills in the political thriller. In fact, you could say his naked T&A puts the ass into assassin! Through the years, the dashing man lent his commanding yet soft-spoken presence to manly pics, such as 1977’s A Bridge Too Far (for which he won his second BAFTA), 1978’s Force 10 from Navarone, 1982’s Gandhi, 1984’s The Bounty, and 1983’s James Bond flick Never Say Never Again. In the miniseries Shaka Zulu (1986), Edward washes his abs, ass, sack and shaft! Careful, this bathing scene will get you wet!
