Divorce: A Contemporary Western (1998)

All failed marriages are the same, and all are different. Details vary, but a sense of tragedy is universal. But then, too, is the welcome revelation that, at last, all involved parties can finally boink other people. Divorce: A Contemporary Western (1998) examines the shared phenomenon of broken hearts leading to new freedom with frankness, insight, and—in the delicious forms of Enrico Colantoni’s soapy buttocks emerging from a steamy shower, and a shirtless Elias Koteas looking extra manly in a darkly lit bedroom scene—prime examples of why men fall in and (more importantly, out) of love (and, most importantly, lust).