Leo Kessler (Bobby Johnston) is a starving artist, struggling for inspiration. Due to his lackadaisical loving, Leo’s wife Karen (Dixie Black) abandons him and heads to New York. To cure his creative block, and loneliness, he hires two women, Claire and Beth (Catherine Weber and Kristen Knittle), to move in and model for him. The lovely ladies shake Leo from his slump, and this is where Siren’s Kiss (1995) begins to build. While modeling for Leo, the models reveal their innermost secrets. Tension builds when Karen returns home and jealously accuses the three of fooling around. It’s only a matter of time before Karen comes to he senses, and Claire and Beth save more than Leo’s artistic career. In a short scene, Johnston drops his palette and pants, briefly showing his sweet smock, as he repositions his model. It’s not much, but this quick glimpse will help stretch your canvas.