Warhol superstar and sexual revolution stand out Joe Dallesandro met the Pop Art personality during the filming of the twenty-five hour-long avant-garde film Four Stars (1967). After the success of his third Andy Warhol flick, Flesh (1968) in which the artsy actor is nude through almost the entirety of the film, showing off hard-ons, gonads, and ass, this cut star became a sex symbol for the underground gay subculture. In a review of the film, Vincent Camby of the New York Times wrote, "His physique is so magnificently shaped that men, as well as women, become disconnected at the sight of him." Now that’s skinema! Joe disrobed in countless other Warhol flicks, including Trash (1970), Heat (1972), and Flesh For Frankenstein (1973), each film showing off his miraculous uncut dink. Joe went on to enjoy great crossover success within the mainstream, but he has yet to show off his Frankenweenie as he did in those old Warhol films. Still, when it comes to Mr. Dallesandro, his dilly-ho wins best in the show! Then came Blood for Dracula (1974) where Joe played Mario Balato. We got his butt and shirtless chest at minute 38 and minute 58. In 1976's I Love You, I Don't we got more booty and chest, followed by the family jewels and shaft about an hour into the flick. You'll find yourself flicking your own candy after this scene! Dallesandro when dark for a few decades before finally re-emerging in the film Beefcake (1998). About an hour in, Joe shows off his thick sausage and perfect body in some black and white shots. You'll shoot your shot too!